|
The Heil PR 30 represents completely new dynamic
microphone technology designed for a wide range of professional
applications such as sophisticated recording, live sound, and
commercial broadcast. Its smooth, wide frequency range sounds
like a ribbon but can withstand large amounts of SPL.
Outperforming the tired, 30 year old technology of the industry,
the large diameter of the PR 30's dynamic element produces an
outstanding upper mid range that makes the PR 30 the absolute
best guitar microphone in the industry today, while still an
excellent choice for reproducing the human voice.
Since 1982, Heil Sound has been the leading
manufacturer of communications microphones and has a paramount
understanding of phasing. When properly applied, this knowledge
creates outstanding cardioid patterns with unbelievable rear
rejection that removes unwanted sounds that try to enter from
the off axis rear. The pattern control of the Heil PR 30 is
outstanding. This exceptional performance is achieved by using
the ideal combination of materials for the large low mass
diaphragm and a special mixture of neodymium, iron, and boron
that gives the PR 30 the strongest magnet structure available.
These features allow the microphone to achieve magnificent
dynamic range. A unique screen system using two different
diameter mesh screens and an internal breath blast filter allow
the user to talk closely to the microphone with little worry of
pops or excessive sibilance. The large diameter dynamic element
is mounted in a unique shock mount atop a non-resonant fixture,
decoupling the element from the massive steel body. This body
and the internal hum bucking coil removes any worry of using the
PR 30 near monitor screens or noisy lighting fixtures and
controls. The new technology of the Heil PR 30 has redefined the
dynamic microphone with superior wide frequency response, the
lowest presence of noise in the industry, flawless design, and
elite quality expected by an innovator and leader in the field.
Your ribbon microphones will now be jealous. |
|